In any case, without human perception, we cannot discuss architecture. The meaning of space is complete only when we consider people's feelings in space and analyze the objective and subjective environment of space, that is, the analysis of "space situation". Traditional architecture expresses architectural features through two-dimensional images. Flat sectional drawings have become a means of exploring architectural design. However, in the image age of the 20th century, the film edits the images by montage, strips and reorganizes the time and space according to people's psychological cognition, and realizes the multi-dimensional interaction between people and time and space. This paper analyses the two disciplines of film and architecture respectively, and considers the design of space situation from the way of thinking of film creation, not just from the style and form. First of all, from the narrative, montage combination, lens and perspective, they have common points as the basis of interdisciplinary research. After that, the article carries out analogical research and analysis from the perspective of architects and film directors. Through a large number of cases, how to start from a narrative concept in architectural design and film production, through macro-narrative structure, specific montage editing techniques and the most microscopic lens composition, a work is completed. Next, the author takes the hotel space situation as the research object, and analyses the representative composition of the hotel space situation at home and abroad from the perspective of film aesthetics. At the end of this paper, the author hopes to practice the design techniques mentioned above through design. Taking the design of Moganshan lounge hotel as an example, this paper introduces the concept of "MOMENT MEET", and designs the space situation by using the film vocabulary of multi-linear narrative, "fading in and fading out" and long lens. Consider the design of architectural space from the artistic approach of film, so as to enrich the space situation.
Studio dello spazio dal punto di vista dell’estetica cinematografica.
Study of Space Situation from the Perspective of Film Aesthetics
HENG, KE
2018/2019
Abstract
In any case, without human perception, we cannot discuss architecture. The meaning of space is complete only when we consider people's feelings in space and analyze the objective and subjective environment of space, that is, the analysis of "space situation". Traditional architecture expresses architectural features through two-dimensional images. Flat sectional drawings have become a means of exploring architectural design. However, in the image age of the 20th century, the film edits the images by montage, strips and reorganizes the time and space according to people's psychological cognition, and realizes the multi-dimensional interaction between people and time and space. This paper analyses the two disciplines of film and architecture respectively, and considers the design of space situation from the way of thinking of film creation, not just from the style and form. First of all, from the narrative, montage combination, lens and perspective, they have common points as the basis of interdisciplinary research. After that, the article carries out analogical research and analysis from the perspective of architects and film directors. Through a large number of cases, how to start from a narrative concept in architectural design and film production, through macro-narrative structure, specific montage editing techniques and the most microscopic lens composition, a work is completed. Next, the author takes the hotel space situation as the research object, and analyses the representative composition of the hotel space situation at home and abroad from the perspective of film aesthetics. At the end of this paper, the author hopes to practice the design techniques mentioned above through design. Taking the design of Moganshan lounge hotel as an example, this paper introduces the concept of "MOMENT MEET", and designs the space situation by using the film vocabulary of multi-linear narrative, "fading in and fading out" and long lens. Consider the design of architectural space from the artistic approach of film, so as to enrich the space situation.È consentito all'utente scaricare e condividere i documenti disponibili a testo pieno in UNITESI UNIPV nel rispetto della licenza Creative Commons del tipo CC BY NC ND.
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https://hdl.handle.net/20.500.14239/25640